Crisp & Wiget

The dialogue between them stretches and skews as their visceral responses to our collapsing planet saturate their playing. Crisp & Wiget premiered in Zagreb in October 2016. It continues to expand as a work, finding it's place in various venues from the massive French pavilion in Zagreb, to the grand and empty Elisabeth Church Berlin, and the Old Brewery Poznan.
Created and touring (2016-2018) as part of Platform East - Berlin and Eastern Europe, a platform for Australian artists and Australian-European collaborations, curated by Rosalind Crisp/Omeo Dance, assisted by the Australian government through the Ministry for the Arts’ Catalyst - Australian Arts and Culture Fund. Created at the French Pavillon Zagreb, in coproduction with Ganz New festival Zagreb, with the support of Pro Helvetia, Tanzfabrik Berlin and Culture of Change Zagreb.
Performances at Saint Elisabeth church Berlin 2017 (A TRIPTYCH ON FLEETINGNESS: How to use time / Ah how fleeting / Ah how empty) coproduced by Sing-Akademie Berlin, assisted by Tanzfabrik Berlin, and a part of the cultural initiative Australia now Germany 2017.
Performances in Poznan, Poland 2017, produced by Art Stations Foundation.

Artistic advise Andrew Morrish / lighting Zagreb Ben Cobham - bluebottle & Alex Nguyen / lighting & production on tour Marco Wehrspann / management Auspicious Arts Projects (Australia).

Photos by Edita Sentić

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